El Gran Teatro de La Habana se mueve seductoramente por la musica que esta produciendo adentro. El resto de los edificios en la capital sigío así, manifestando una fiesta arquitectónica. 210 x 260 mm.

Are you tired of seeing the world through boring lenses? Try the new Architectural Spectacles for a renewed sense of being. 105 x 74 mm.

Is there too much visual noise in your everyday environment? Try the new Architectural Spectacles for a pleasant filtration of visual stimuli. 124 x 70 mm.

Does your life lack ornamentation? Try the new Architectural Spectacles for a vibrant, new you. 152 x 112 mm.

For those with little time for formal ceremony, kiosk communion service is available at many convenient drive-thru locations. 52 x 64 mm.

Slight derivations from a rigid rubric of architectural elements distinguish the dozens of chapels along the thoroughfares of coastal Iberia. Among the requisites are bell, tower, door, cross, and over-ornamentation. 52 x 64 mm.

Conveniently spaced centers of worship along the coastal arterial for the impromptu spiritualist to be saved without stopping. 52 x 64 mm.

Urban obliquity emerging as responsive to thousands of unseen influences, caught red-handed in the act of architectural evolution. 105 x 148 mm.

Seen from the protected heights of the northwest tower of the Alcázar, Toledo spreads itself across the remaining hilltop like a quilt. And although the individual panels vary as greatly as Christianity differs from Judaism differs from Islam, they had been sewn together over the centuries in perfectly chaotic fashion. 105 x 140 mm.

Like an interminable flock of sheep in steeply undulating terrain, the buildings in Lisbon clung to each other with inextricable dependency. 105 x 105 mm.

From the water's edge, it was hard to tell whether the buildings had fallen from above and landed in a big heap of stone, wood, and windows or if they had erupted from the mountain beneath them in molten coagulation of building parts becoming architecture. 148 x 180 mm.

The precision of the steelwork on the Ponte Luis I Bridge in Porto made up for the lack of engineering on the flanking slopes. Disheveled buildings in an organically (un)planned city. 105 x 175 mm.

Order and design on an architectural scale and a chaotic labyrinth on an urban scale. 105 x 105 mm.

A buggy without a beast—the fifteenth century equivalent of a car that has run out of gas (each analogous to the current state of affairs in Havana). 85 x 105 mm.

The setting of the Russian Hotel on the beachfront promenade made the yellow building appear like it wore a red hat and a blue skirt with white trim. Pure primary fashion. 105 x 110 mm.

What began as a shack for a lone fisherman in Baracoa grew piecemeal into a fine accommodation for those willing and able to navigate spiral stairs and forgo an unfinished balustrade. Mountain views from the same sea shores that Columbus first stumbled made up for any lack of architectural value. 105 x 105 mm.

Had the truck continued its route toward the sea from the town of Paraguay, the intended Gtmo would have involved a great deal more anguish than the small, quiet town on the scheduled stop. 148 x 180 mm.

With the disbandment of Buena Vista Social Club, old guys galore have taken to the streets of Cuba with his best rendition of "Chan Chan." Los Jubilados gently but passionately strum in the shade, on the stoop, as lazy traffic noise fills the silence between songs. 148 x 170 mm.

From her perch on the pediment, the acroterion angel stood poised with her trumpet. On the first beat of the fifth measure of the last refrain of "Guantanamera," she tore into her trumpet with devilish intensity, taking the entire plaza of Santiago de Cuba by surprise. 105 x 120 mm.

Last seen at a Saltlick performance in Eugene after throwing ultimate frisbees, Nathaniel Talbot has established a rhythmic foothold in the Portland music scene, most recently at Mississippi Pizza. 90 x 105 mm.

 

Hovering just above the treetops at Spring Canyon Ranch, feigning acrophobia. 216 x 280 mm.

Rogers Rim Rock Ranch (including subsequent additions by Spring Canyon Ranch owners) as seen by Captain A. W. Stevens of the Explorer II on its November 1935 world record-setting ascent to 72,395 feet in a 3.7 million cubic foot balloon. 148 x 180 mm.