The underside of Pulaski Bridge seemed strangely familiar, although for no reason would there have been occasion to frequent it. But in this case there was reason, however latent and overdue. 52 x 60 mm.

His media is already there. It's everywhere, in fact. All he does is frame it. And in doing so, he captivates people. In his installation, people stayed for twenty minutes on average, sometimes longer than an hour. The piece: Meeting. The artist: James Turrell. 52 x 52 mm.

Porches, in their cavalier orientation to the familiar and unknown, become breeding grounds for miniature revolutions. Whether calculating the espionage of Ms. Applebum's top drawer or the eventual capture and domestication of those damn squirrels, the antespace plays host to minorly influential schemes. 74 x 86 mm.

Mary—Bloody as ever—is able to cure the fiercest hangover with doctoral prescription. Even the umbrella serves as a protective measure against the unlikely eruption of asbestos from the dated insulation of the Victorian eatery. 52 x 52 mm.

Those that give thanks do so with considerable enthusiasm, inexcusably provoked by elevated tannins and triptophan surfing the bloodstream. 105 x 105 mm.

It is not coincidental that dinner and funeral attire resemble one another. Cannibalism and suicidal tendencies are inextricable among glutinous turkeys at Thanksgiving. 52 x 56 mm.

When a new museum adopts the said announcement as a permanent title, freshness is preserved. Even if fretted aluminum panels and "Hell Yes" go out of style. 74 x 88 mm.

While Jørgen frantically threw oil paint at a commissioned canvas, traffic sped apace on Tito Puentes Way. For him to make his deadline in the morning, the composition assumed a foreground consumed in clouds. The walk sign beckons. 210 x 250 mm.

If not restrained by the two-point seatbelts of BoltBus, the documents may have solicited themselves nondiscriminatorily to seeking industries, not excluding escort services. 52 x 52 mm.

Compared to a blobfish, the blowfish is a Cleopatra, spines and anaphlaxis considered. 52 x 52 mm.

Devendra Banhart and The Grogs "languidly lilted" in the winter wind at Berklee Performance Center to onlookers whom "upon their hearts...amharic vows were scryed" by "a frenectomy and a few words of love." 52 x 56 mm.

A monumental waffle made from the syrup-guzzling fenestration of Steven Holl's dormitory at MIT fed every resident in Simmons Hall at a hangover breakfast held on the facing pitch after a heated robotics competition that celebrated the closing of Homecoming Week. 148 x 172 mm.

Gary's Drug Co. lifts from its storefront for the first time since its erection in 1909 after ingesting a magical mix of its own dealings. Boston became alarmed at the anti-gravitational spectacle but immediately formed a block-long queue for the levitational concoction. Sources have not disclosed the recipe. 148 x 148 mm.

Arquitecturers flaunt the fruits of their tireless labor with sophisticated presentation: a large drawing made with colorful markers on translucent paper showing the addition and rennovation of hundreds of thousands of square feet of scientific research facilities. 52 x 52 mm.

Disembodied jackets tote materials relevant to architecturing. Pants and shoes were not among the required attire. 52 x 52 mm.

A bowler is only as good as his or her accessories. Flyswatter, clip-ons, crosshairs, sweatband. Cho-Pat, Band-Aid, Chap-Stic, wristwatch. Knee brace, ankle brace, scorecard, name tag. Playing cards, cigarettes, wristband. Mirror. Fan. Towel, candy bar, shiv. Visor. Belt, shoes. Glasses. (Ball). 105 x 105 mm.

A slew of Halloweeners flooded the streets as various interpretations at misrepresentative scales. 74 x 52 mm.

Prowling bike-thieves consider not the possibility of lifting Crankenstein from the sinuous grip of unanchored chairs. 105 x 105 mm.