Would potted plants be akin to caged animals? If so, this is a zoo. Otherwise, houseplants could be considered pets. That way, this would be more like a shelter. They do indeed look grateful against the blinding white backdrop of freshly fallen snow. 74 x 78 mm.

The annual Christmas tree hunt was hastened by advancements in rapid prototyping of scissoral technology. Human limbs are to be kept clear of arboreal ones if preservation of digits is desired. 52 x 60 mm.

Floral gurgitation of ornithological origin; or simply a bird that pukes plants. 52 x 58 mm.

Among the many expressive mugs lining the Scandinavian cupboards in Middle America are those that reinforce the sentiments of life without coffee. 52 x 52 mm.

Arbortectural solutions that respond to increasing demand for environmentally sensitive housing. 52 x 60 mm.

For dually-addicted customers only. Both psychological and chemical fixes in one frustrating and unsatisfying operation. 105 x 130 mm.

Imagine what bricks witness as spectators of a revolution. On one side, they listen as plans hatch over spilling steins; on the other side, they watch as the action happens. All in due course. 210 x 210 mm.

The underside of Pulaski Bridge seemed strangely familiar, although for no reason would there have been occasion to frequent it. But in this case there was reason, however latent and overdue. 52 x 60 mm.

His media is already there. It's everywhere, in fact. All he does is frame it. And in doing so, he captivates people. In his installation, people stayed for twenty minutes on average, sometimes longer than an hour. The piece: Meeting. The artist: James Turrell. 52 x 52 mm.

Porches, in their cavalier orientation to the familiar and unknown, become breeding grounds for miniature revolutions. Whether calculating the espionage of Ms. Applebum's top drawer or the eventual capture and domestication of those damn squirrels, the antespace plays host to minorly influential schemes. 74 x 86 mm.

Mary—Bloody as ever—is able to cure the fiercest hangover with doctoral prescription. Even the umbrella serves as a protective measure against the unlikely eruption of asbestos from the dated insulation of the Victorian eatery. 52 x 52 mm.

Those that give thanks do so with considerable enthusiasm, inexcusably provoked by elevated tannins and triptophan surfing the bloodstream. 105 x 105 mm.

It is not coincidental that dinner and funeral attire resemble one another. Cannibalism and suicidal tendencies are inextricable among glutinous turkeys at Thanksgiving. 52 x 56 mm.

When a new museum adopts the said announcement as a permanent title, freshness is preserved. Even if fretted aluminum panels and "Hell Yes" go out of style. 74 x 88 mm.

While Jørgen frantically threw oil paint at a commissioned canvas, traffic sped apace on Tito Puentes Way. For him to make his deadline in the morning, the composition assumed a foreground consumed in clouds. The walk sign beckons. 210 x 250 mm.

If not restrained by the two-point seatbelts of BoltBus, the documents may have solicited themselves nondiscriminatorily to seeking industries, not excluding escort services. 52 x 52 mm.

Compared to a blobfish, the blowfish is a Cleopatra, spines and anaphlaxis considered. 52 x 52 mm.

Devendra Banhart and The Grogs "languidly lilted" in the winter wind at Berklee Performance Center to onlookers whom "upon their hearts...amharic vows were scryed" by "a frenectomy and a few words of love." 52 x 56 mm.

A monumental waffle made from the syrup-guzzling fenestration of Steven Holl's dormitory at MIT fed every resident in Simmons Hall at a hangover breakfast held on the facing pitch after a heated robotics competition that celebrated the closing of Homecoming Week. 148 x 172 mm.

Gary's Drug Co. lifts from its storefront for the first time since its erection in 1909 after ingesting a magical mix of its own dealings. Boston became alarmed at the anti-gravitational spectacle but immediately formed a block-long queue for the levitational concoction. Sources have not disclosed the recipe. 148 x 148 mm.

Arquitecturers flaunt the fruits of their tireless labor with sophisticated presentation: a large drawing made with colorful markers on translucent paper showing the addition and rennovation of hundreds of thousands of square feet of scientific research facilities. 52 x 52 mm.

Disembodied jackets tote materials relevant to architecturing. Pants and shoes were not among the required attire. 52 x 52 mm.

A bowler is only as good as his or her accessories. Flyswatter, clip-ons, crosshairs, sweatband. Cho-Pat, Band-Aid, Chap-Stic, wristwatch. Knee brace, ankle brace, scorecard, name tag. Playing cards, cigarettes, wristband. Mirror. Fan. Towel, candy bar, shiv. Visor. Belt, shoes. Glasses. (Ball). 105 x 105 mm.

A slew of Halloweeners flooded the streets as various interpretations at misrepresentative scales. 74 x 52 mm.

Prowling bike-thieves consider not the possibility of lifting Crankenstein from the sinuous grip of unanchored chairs. 105 x 105 mm.

Just in time for Halloween. Available authors include Kurt Vonnegut, Tom Robbins, and J.D. Salinger, paired with music by Les Savy Fav, Hank Williams, and The Clash, respectively. 74 x 74 mm.

No shortage of outbuildings and additions at the Schroeder's stead as it stands three generations after its construction. 148 x 148 mm.

With winter fast approaching, even origami looks south. 148 x 210 mm.

For when the unexpected spy mission arises, be prepared with Sport Utility Glasses. 74 x 74 mm.

Visually speaking, muted compliments balance well. Audibly speaking, they aren't effective at all. If it were colored, this might make sense. 148 x 210 mm.

Another victim in a series of thing drawings. 74 x 74 mm.

A mix of yellow leaves and white snow streaked horizontally past the bay window as the wind erased fall and brought winter in one swift gesture. Inside, the houseplants took no notice. 105 x 105 mm.

A colorless rendering of the most colorful neighborhood in Buenos Aires. 148 x 148 mm.

Javiér from "Segundo Mundo" expressing the sentiment that while each of us wants what he doesn't have, we nonetheless respect differences, whether it wears a suit and carries a briefcase or floats while playing klezmer music. 105 x 105 mm.

Businessmen reviewing the malleability of reality as changeable up to the point ideas cease to reveal desirable scenarios. Limited only by self-imposed accessories. 105 x 105 mm.

"... y soy un alcohólico." The first of twelve steps in curing the most overindulgent tree species in Argentina. "Palo borracho" means "drunken tree" which relates to its desert induced hoarding habits that leaves it visibly loaded. 105 x 105 mm

Unintentionally reminiscent of the Joan Osbourne video where the angel skates among the beachgoers on the boardwalk, reflecting how we unconsciously mill about never knowing what talents strangers might possess. 105 x 105 mm.

With the "Gripe Porcina" crippling any chance of tourism happening in Buenos Aires during the "economic crisis," people worry themselves to no end. But, as they casually conclude, "estamos hablando al pedos." 105 x 105 mm.

The "Hormigas Negras" entertaining onlookers with dreadlocked mix of ska, reggae, and folk music on a busy afternoon in Buenos Aires. They willingly exchanged their latest album for this drawing. 148 x 148 mm.

Tucked into the acutest angle of the odd-shaped Plazoleta Carlos Pellegrini in Buenos Aires, the French Embassy paused its seductive dance routine long enough to be inked. It has since resumed dancing. 148 x 148 mm.

Sundays in Sal Telmo bulge with activity as the artesian fair spills onto the streets and squares. With an effective con routine, this and other drawings have been sold for less than they´re worth, but expenses have been recooperated in the unquantifiable experience of illegally hawking drawings in Buenos Aires. 148 x 148 mm.

With ample "heps" and "hos" and hand symbols, the klezmer-blend band "Segundo Mundo" livened the darkening cobbled streets of San Telmo on Sunday evening in Buenos Aires. An exchange of visual for audio art was easily agreed upon. Likeness to the clarinetist is incidental. 148 x 148 mm.

With barbeque fumes surfing on the capital's namesake (Good Winds), the building ached for a medium-rare hue. 148 x 148 mm.

People say that living in Buenos Aires is cheaper than dying there (if Recoleta Cemetery is the desired resting place). This ¨mundito¨ shows a contorted juxtaposition of life and death and where they reside. 148 x 148 mm.